Umgedrehte Spieße

CD 121 Umgedrehte Spieße (7/22-9/22)
                                          
                                                                                                    
"Ich bin gestorben dem Weltgewimmel,  lyon gare
Und ruh' in einem stillen Gebiet.
Ich leb' allein in mir und meinem Himmel,
In meinem Lieben, in meinem Lied."

LYON  (Friedrich Rückert/Gustav Mahler - "Ich bin der Welt abhanden gekommen")

 
Food
Becalmed                                      (Quiet Inlet - 2010)
Gram Parsons
Hearts on Fire                              (Grievous Angel - 1974)
Bonnie 'Prince' Billy
I won't ask again                           (Beware - 2009)
Aimee Mann
Phoenix                                       (musikexpress 139 - 2008)
Volcano Choir
Still                                             (Unmap - 2009)
Ismael Lo
Tadieu Bone                                  (Africa 50 Years of Music - 1985/2010)
Bruce Springsteen
The Angel                                      (Greetings from Asbury Park.N.J. - 1975)
Elvis Costello/The Brodsky Quartet
The First to leave                             (The Juliet Letters - 1993)
Geoff Smith
The last of england                           (fifteen wild decembers - 1995)
Michael Furmanek
Twenty three neo                              (The Rub and Spare change - 2010)
John Frusciante
With no one                                     (To record only Water for ten Days - 2002)

Daft Punk
Phoenix                                             (Homework - 1996)

Food: Becalmed
"Am liebsten wäre ich in die Lautsprecherboxen hineingekrochen." (Solanna/amazon.de) "fragments reappear across the three-dimensional landscape, often buried in the weeds of the mix." (John Kelman/allaboutjazz.com) "the ghostly trumpet of Molvaer floating freely." (Ian Mann/thejazzman.com)

Gram Parsons: Hearts on Fire
"he puts the cake in her icing, and she, she puts the icing on his cake" (Bruce G/YouTube) "Ich begriff die Schönheit zurückgehaltener Gefühle" (Emmylou Harris) "He died of a drug overdose before Grievous Angel was released," (Pitchfork)
"My love for you brought only misery"

Bonnie 'Prince' Billy: I won't ask again
"Und doch zwickt da etwas im Unterbewusstsein der Unterdrückung, da wo Melancholie und Tristesse wohnen." (Markus Wollmann/plattentests.de) "Stimme, in der die Arroganz dessen mitschwingt, der nichts mehr zu verlieren hat" ("Die Zeit") "His songs float along like dust in the afternoon sun" (Entertainment Weekly)
"And then I ask you where
I'll go when eyes are shut"

Aimee Mann: Phoenix
"I don't know what to say about it." (A.M./Phoenix New Time) "Mann has shaped her solo career around a series of detached, character-driven narratives, often if not always dark and depressing." (Alan Ranta/tinymixtapes.com) "Balladen, zu denen man gern ein Leben lang den Pacific Coast Highway rauf und runter fahren möchte." (Kristina Koch/musikexpress)
"It's hard to know when to cut and run"

Volcano Choir: Still
"Unfortunately, the lyrics probably don't mean anything. :P"
...how the hell would you know?. :predicate" (comments/songmeanings.com) "dokumentiert, wie der Künstler seinen Gegenstand, die Natur, bearbeitet, um die Zeit anzuhalten." (Frank Sawatzki) "orchestrates the entirety of “Woods” with deft skill, pushing and pounding methodically forward towards a climax that matches “Woods’” inherent angst." (EMERITUS/sputnik music)
"I'm building a still
To slow down the time"

Ismael Lo: Tadeiu Bone
"Ahh that harmonica... ! (Vesna Vukovic on YouTube) "featured on the soundtrack to Pedro Almodovar’s ‘All about my mother’ film with the epic overview of the city of Barcelona forming the dramatic backdrop." (ukvibe.org) "Forget the silly “African Bob Dylan” tag that gets rolled out with every new Ismaël Lo release." ("The Times")
"Ta.....tajabone de nuy tajabone"

Bruce Springsteen: The Angel
"Klaviergeklimper und sentimentales Gesäusel. Lass das mal Elton John machen." (Monkeyman/austriancharts.at) "and "The Angel," were the album's weakest." (ultimateclassicrock.com) "He didn’t have a lot to write about at the time as he was very young and had not been through a lot." (rawmeeth38/sputnikmusic.com)
"The woman strokes his polished
chrome and lies beside the
angel's bone"

Elvis Costello/The Brodsky Quartet: The First to leave
"The lyrics are confusing." (Tony Marine/meetinmontauk.com) "einen immer im Unklaren lässt, ob das nun depressiv oder insgeheim hoffnungsvoll gemeint ist." ("Die Zeit") "Fearlessly, the singers tear into the changing emotions and situations" (Susan Galbraith/dctheatrescene.com)
"And I never see your face again"

Geoff Smith: the last of england
"was kann bei der Stimme von N. Walker noch schief gehen?" (Chaos66666/amazon.de) "sprechen von der Trauer um die Wärem des Sommers" (Ulrich Paasch) "metaphor for the onset of hopelessness" MARowe/musictap.com)
"in your saddest array
follow the bier
of the dead cold year"

Michael Furmanek: Twenty Three Neo
"relaxed flow" (jazztrail.net) "vertrackt genug" ("Die Zeit") "an uncanny ear for depth-soundings and tight changes." (ecmreviews.com)

John Frusciante: With no one
"so ein hervorragender Gitarrist John Frusciante ist, so ein höchst durchschnittlicher
Sänger ist er halt leider auch...." (Dino-Canarias/hitparade.ch) "nicht wirklich schlecht" (gaesteliste.de) „I fail to do What I'm trying" (J.F.)
"Sorrow ate me, I'm not me anymore
Play these heavens one more time"

Daft Punk: Homework


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